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Outlaw RhetoricFiguring Vernacular Eloquence in Shakespeare's England$
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Jenny C. Mann

Print publication date: 2012

Print ISBN-13: 9780801449659

Published to Cornell Scholarship Online: August 2016

DOI: 10.7591/cornell/9780801449659.001.0001

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The Trespasser

The Trespasser

Displacing Virgilian Figures in Spenser’s Faerie Queene

Chapter:
(p.55) Chapter 2 The Trespasser
Source:
Outlaw Rhetoric
Author(s):

Jenny C. Mann

Publisher:
Cornell University Press
DOI:10.7591/cornell/9780801449659.003.0003

This chapter examines Edmund Spenser's adoption of Virgilian forms as tools of English courtesy, including the figure hyperbaton, in book 6 of Faerie Queene. It explains the periodically uneasy attempts of English rhetorics to translate hyperbaton into the vernacular and how Spenser accommodates it in the verse of Faerie Queene. Just as the English rhetorics attempt to conjure a common space of vernacular eloquence, linked to an idea of the English country while also organized according to classical tradition, the chapter argues that Faerie Queene also invents a new geography—Faery—that allows the classical past and English present to converge in a single location. It shows that hyperbaton may be Virgilian in its origin and associations, but Spenser resettles it in Faerie Queene in English speech, domesticating it within the lines of what he calls his “homely verse” at the end of book 6.

Keywords:   hyperbaton, Edmund Spenser, courtesy, Faerie Queene, rhetoric, vernacular eloquence, geography, speech

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