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The Worlds of Langston HughesModernism and Translation in the Americas$
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Vera M. Kutzinski

Print publication date: 2012

Print ISBN-13: 9780801451157

Published to Cornell Scholarship Online: August 2016

DOI: 10.7591/cornell/9780801451157.001.0001

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Havana Vernaculars

Havana Vernaculars

The Cuba Libre Project

Chapter:
(p.132) Chapter Four Havana Vernaculars
Source:
The Worlds of Langston Hughes
Author(s):

Vera M. Kutzinski

Publisher:
Cornell University Press
DOI:10.7591/cornell/9780801451157.003.0005

This chapter examines the interactions of Langston Hughes and Nicolás Guillén, both with each other and with those who mediated the Cuba Libre project. In December 1948, the Ward Ritchie Press of Los Angeles released Cuba Libre: Poems by Nicolás Guillén in a limited edition of 250 copies. Cuba Libre, the first book-length edition of Guillén's poetry in English, consisted of fifty poems in translations by Hughes and Ben Frederic Carruthers. It is an important example of intercultural translational commerce between Cuba and the United States during the first half of the twentieth century. This chapter focuses on what gets lost and added in the Cuba Libre project, first by analyzing the effects of cultural homogeneity that English-language translations of African diasporic texts published in the United States have tended to create. It considers poems not only from Cuba Libre but also from the anthology Poetry of the Negro 1746–1949.

Keywords:   poetry, Langston Hughes, Nicolás Guillén, translation, Ben Frederic Carruthers, Cuba, United States, cultural homogeneity, Poetry of the Negro 1746–1949

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