- Title Pages
- Acknowledgments
-
1. Euripides’s Poetic Game and Law of Composition -
2. Anthropomorphism -
3. The Protection of the Self and the Role of Sophia -
4. Some Connotations of Sophia -
5. Polyneices’s Truth -
6. Hecuba’s Rhetoric -
7. Eros in Euripides’s Poetics: Sex as the Cause of the Trojan War -
8. The Lewd Gaze of the Eye -
9. The Power of Love: Who Is Aphrodite? -
10. Phaedra -
11. Hermione: The Andromache -
12. Female Victims of War: The Troades -
13. The Survival in Poetry -
14. Figures of Metalepsis: The Invention of “Literature” -
15. The Failure of Politics in Euripides’s Poetics: Politics in the Suppliant Women -
16. Political Philosophy: A Universal Program of Peace and Progress -
17. How to Deliberate a War -
18. Democracy and Monarchy -
19. The Battle -
20. The Rescue of the Corpses -
21. Return to Arms -
22. The Polis’s Loss of Control and Authority -
23. The Bacchants’ Gospel and the Greek City -
24. Pentheus and Teiresias -
25. Dionysus’s Revenge: First Round -
26. Revenge Prepares Its Murderous Weapon -
27. Initiation and Sacrifice -
28. Victory and Defeat -
29. Euripides’s Poetry - Bibliography
- Subject Index
- Index Locorum
Some Connotations of Sophia
Some Connotations of Sophia
- Chapter:
- (p.20) 4. Some Connotations of Sophia
- Source:
- Euripides’s Revolution under Cover
- Author(s):
Pietro Pucci
- Publisher:
- Cornell University Press
This chapter discusses some connotations of sophia, with particular emphasis on the circuitousness of the theatrical gestures and the complexity of tones that it manipulates. It begins by focusing on the debate between Jason and Medea over the wisdom of the former's new marriage. Medea declares that her attack on Jason will bring her some solace. She does not care any longer about Jason's prosperity: she—actually her thumos—has already decided to destroy Jason. Medea's rhetorical skill and pleasure appear as an anticipation of her full victory. This chapter considers Medea's revenge as a case of a phenomenon that has great dramatic and cultural importance in Euripides's poetics. It shows how, through the poetry of Euripides's Chorus, poetry recognizes the unfairness of poetry toward women.
Keywords: sophia, Medea, marriage, rhetoric, revenge, Euripides, poetry, women, Jason
Cornell Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.
Please, subscribe or login to access full text content.
If you think you should have access to this title, please contact your librarian.
To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.
- Title Pages
- Acknowledgments
-
1. Euripides’s Poetic Game and Law of Composition -
2. Anthropomorphism -
3. The Protection of the Self and the Role of Sophia -
4. Some Connotations of Sophia -
5. Polyneices’s Truth -
6. Hecuba’s Rhetoric -
7. Eros in Euripides’s Poetics: Sex as the Cause of the Trojan War -
8. The Lewd Gaze of the Eye -
9. The Power of Love: Who Is Aphrodite? -
10. Phaedra -
11. Hermione: The Andromache -
12. Female Victims of War: The Troades -
13. The Survival in Poetry -
14. Figures of Metalepsis: The Invention of “Literature” -
15. The Failure of Politics in Euripides’s Poetics: Politics in the Suppliant Women -
16. Political Philosophy: A Universal Program of Peace and Progress -
17. How to Deliberate a War -
18. Democracy and Monarchy -
19. The Battle -
20. The Rescue of the Corpses -
21. Return to Arms -
22. The Polis’s Loss of Control and Authority -
23. The Bacchants’ Gospel and the Greek City -
24. Pentheus and Teiresias -
25. Dionysus’s Revenge: First Round -
26. Revenge Prepares Its Murderous Weapon -
27. Initiation and Sacrifice -
28. Victory and Defeat -
29. Euripides’s Poetry - Bibliography
- Subject Index
- Index Locorum
