Tone and Modernism
Tone and Modernism
Jacob’s Room, To the Lighthouse, and The Waves
This chapter considers tone in three of Woolf’s very different narrative experiments. The discussions of each novel suggest how tonal cues both enable and destabilize ethical judgments that readers can feel justified in making. The chapter closes with a section addressing an apparently paradoxical question: What might be good about the ethical uncertainty that Woolf’s writing can prompt?
Keywords: Jacob’s Room, To the Lighthouse, The Waves, tone, tonal cues, ethics, uncertainty
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