- Title Pages
- Hans Blumenberg: An Introduction
-
1 The Linguistic Reality of Philosophy -
2 World Pictures and World Models -
3 “Secularization” -
4 The Concept of Reality and the Theory of the State -
5 Preliminary Remarks on the Concept of Reality -
6 Light as a Metaphor for Truth -
7 Introduction to Paradigms for a Metaphorology -
8 An Anthropological Approach to the Contemporary Significance of Rhetoric -
9 Observations Drawn from Metaphors -
10 Prospect for a Theory of Nonconceptuality -
11 Theory of Nonconceptuality -
12 The Relationship between Nature and Technology as a Philosophical Problem -
13 “Imitation of Nature” -
14 Phenomenological Aspects on Life-World and Technization -
15 Socrates and the objet ambigu -
16 The Essential Ambiguity of the Aesthetic Object -
17 Speech Situation and Immanent Poetics -
18 The Absolute Father -
19 The Mythos and Ethos of America in the Work of William Faulkner -
20 The Concept of Reality and the Possibility of the Novel -
21 Pensiveness -
22 Moments of Goethe -
23 Beyond the Edge of Reality -
24 Of Nonunderstanding -
25 Unknown Aesopica -
26 Advancing into Eternal Silence - Glossary
- Bibliography
- Index
The Concept of Reality and the Possibility of the Novel
The Concept of Reality and the Possibility of the Novel
(1964)
- Chapter:
- (p.499) 20 The Concept of Reality and the Possibility of the Novel
- Source:
- History, Metaphors, Fables
- Author(s):
Hans Blumenberg
- Publisher:
- Cornell University Press
This chapter describes Hans Blumenberg's theorization of the novel as a genuinely modern genre in “The Concept of Reality and the Possibility of the Novel” (1964). Art claims as its subject matter the formal proof of reality and not the material content that presents itself with this proof. Without doubt, the nonpossible would represent the fulfillment of this claim — namely, the infinite context, which alone could be counted as the normal equivalent to the open-endedness of physical experience. This is the starting point from which modern literature — and the aesthetics appropriate to it — proceeded toward the novel as the most comprehensively “realistic” genre, representing a context which, though finite in itself, presumes and indicates infinity. The potential infinity of the novel represents its ideality, arising out of the concept of reality, as well as the aesthetic irritation inevitable in view of the fact that its task of representing an infinite context can be fulfilled only by aesthetically binding principles of form.
Keywords: Hans Blumenberg, novel, modern genre, reality, art, modern literature, aesthetics, realistic genre
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- Title Pages
- Hans Blumenberg: An Introduction
-
1 The Linguistic Reality of Philosophy -
2 World Pictures and World Models -
3 “Secularization” -
4 The Concept of Reality and the Theory of the State -
5 Preliminary Remarks on the Concept of Reality -
6 Light as a Metaphor for Truth -
7 Introduction to Paradigms for a Metaphorology -
8 An Anthropological Approach to the Contemporary Significance of Rhetoric -
9 Observations Drawn from Metaphors -
10 Prospect for a Theory of Nonconceptuality -
11 Theory of Nonconceptuality -
12 The Relationship between Nature and Technology as a Philosophical Problem -
13 “Imitation of Nature” -
14 Phenomenological Aspects on Life-World and Technization -
15 Socrates and the objet ambigu -
16 The Essential Ambiguity of the Aesthetic Object -
17 Speech Situation and Immanent Poetics -
18 The Absolute Father -
19 The Mythos and Ethos of America in the Work of William Faulkner -
20 The Concept of Reality and the Possibility of the Novel -
21 Pensiveness -
22 Moments of Goethe -
23 Beyond the Edge of Reality -
24 Of Nonunderstanding -
25 Unknown Aesopica -
26 Advancing into Eternal Silence - Glossary
- Bibliography
- Index
