This chapter uses a framework of queer theory to argue that the particular aesthetic and affect of resistance in North St. Louis County made visible the extreme violence of the state in addition to exposing the inherent contradictions within masculine and heteronormative spaces of Black struggle. This is a critical component of queer of color critique. Similar to an Afro-pessimistic perspective of blackness, which locates Black life as a site of ontological death, the chapter argues that “the problem posed by blackness” is an antagonism rooted in the historically naturalized logics of society, including physical space, and is not a conflict that can be rectified through legal means. Through a more optimistic lens, it also highlights the various ways Black women and gender nonconforming individuals practiced a choreopolitics—of bodies in space—that demanded the terms of visibility be set by those “in view.” This particular practice of visibility and an insistence on simply living as an act of protest illustrate the capacity and power that Black lives and life hold in revealing the truth and thus reconfiguring the metrics of living as fully human.
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